Report of the Australian textile artist Barbara Schey on 9th ISS field trips
"...
Another highlight was a one day tour to Blue and White paste resist studio at Nantong where I was able to get some good video of the process. Mascha Mioni, Hiroko Watanabe, Ana Lisa Hedstrom were also among the luminaries
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fibre Quarterly Canada online 2015
This report on the symposium and the exhibition at the China National Silk Museum, Hangzhou, shows an "Instal view of costumes and work by artists Candace Edgerley of USA, Catherine Ellis of USA, Mascha Mioni of Switzerland and Carter Smith of USA"
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Mascha Mionis Rooibos Teabag Dress in the book MyRooibos
"Ds notre livre MyRooibos bit.ly/1bETIvd The Rooibos Teabag dress par Mascha Mioni IdKdoNoel"
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"Mnemonikos: Art of Memory in Contemporary Textiles" at the The Fashion Gallery, Hong Kong Polytechnical University
This group exhibition was shown for 6 months at the Jim Thompson Art Center, Bangkok
In the background, left, next to Mascha Mioni's Rooibos Teabag Dress, Ana Lisa Hedstrom's "our wide blue and black sea" and the white "A Knitted Object" by Ataphol Sujrapinyokul
Foto: Edith Cheung, Hong Kong
Curated by Kinor Jiang and Yoshiko Iwamoto Wada, Mascha Mioni was the only European showing her work together with 20 artists from South East Asia and beyond:
Keiko AMENOMORI-SCHMEISSER (Australia/Japan)
Junichi ARAI (Japan)
Jean CACISEDO (USA)
Frank CONNET (USA)
Ana Lisa HEDSTROM (USA)
Wen Yin HUANG (Taiwan)
Hiroshi ISHIZUKA (Japan)
Kinor JIANG (Hong Kong/China)
Christina KIM (USA)
Yee I LANN (Malaysia)
Rachel MEGINNES (USA)
Mascha MIONI (Switzerland)
Joan MORRIS ( USA)
Kambui OLUJIMI (USA)
Restu RATANANINGTYAS (Indonesia)
Jin-Sook SO (Sweden/ Korea)
Musey XU(China)
Guoxiang YUAN (Hong Kong/ China)
Korakrit ARUNANONDCHAIA (Thailand)
taphol SUJRAPINYOKUL (Thailand)
Ek THONGPRASERT (Thailand)
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Exhibition at the JinZe Arts Center, Shanghai
During October/November 2014 Mascha Mioni was artist in residence at the JinZe Arts Center, Shanghai, and displayed there her new creations in an exhibition Mascha Mioni spent more than two months in China and incorporated the manyfold impressions in a variety of ways in her work.
The discarded rice straw, that she found lying in the yard, was recycled into an eleven yards long ladder "Purpose of Life". The calligraphy lessons led to thirty paintings "Ink on Paper". With the red seal-ink she bought on the antique-/flea-market she 'signed' close to 5000 fingerprints on paper. The image of the cotton-pickers in the vast fields of Xinjiang and the raw cotton balls found in the nearby village, together with the old bricks lying around from the reconstruction work, resulted in the installation "20 Pyramids"; and the soot-blackened cotton cloth of the cook inspired to "Phoenix from the Ashes".