Mascha Mioni in the journal "ETHOS: Dialogues in Philosophy and Social Sciences"
Asst. Prof. at İZMİR DEMOKRASİ ÜNİVERSİTESİ, Dr. Goezde Yetmen, writes in her essay in the journal "ETHOS: Dialogues in Philosophy and Social Sciences" on Wearable Art on p. 79f:
"... For example, Miyake's work "Mutant Pleats" suggested pleats in next season's fashion design trends. (Koda, 2004, p. 93) Like Miyake's "Mutant Pleats"
Tim Harding's "Oaks", Mascha Mioni's "Drache-Shibori" and recently "Body Skin and Hair" and "Perfect Hurts" by Sandra Backlund. Its effects on designs are unquestionably accepted. (Sterk, 2005, p.29), (Duncan, 2002, p. 124)
and p. 81:
"... Many of the Wearable Artworks are to be viewed and understood as works of art, not to be worn. Today's important representatives are Jorie Johnson, Tim Harding, Mascha
Mioni, Galya Rosenfeld, Sandra Backlund. ..."
(Translated by the webmaster from the attached original Turkish essay using Google Translate)
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Mascha Mioni curates the exposition Heidi Luft & Lawrence McLaughlin
From the 4th of July until the 31st of July 2010 Mascha Mioni shows artwork of the painter Heidi Luft, Düsseldorf, with the title: Labyrinth of Life
and of the sculptor Lawrence McLaughlin, Phoenix/USA under the motto "Grace".
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Mascha Mioni in the Bachelor thesis of Caroline Ho Ka Hei
Caroline Ho Ka Hei writes in her thesis for the Bachelor of Arts at the Institute of Textiles & Clothing of Hong Kong Polytechnic University.
p. 31/32:
"In this section, six textiles designers who are renowned for their heat-setting technique applications were studied: Ana Lisa Hedstrom, Barbara Rogers, Jean Williams Cacicedo, Jun'ichi Arai, Mascha Mioni and Tsuyoshi Kuno.
...
the reason of these six designers being studied in this project was due to their profound contribution to the development of heat-setting technique. Their exquisite art pieces raised my interest in heat-setting and thus set off this study.
p. 43-47:
"2.6.5 Mascha Mioni
Growing up in Switzerland, Mascha Mioni is a painter whose oil paintings on canvas were exhibited all over Europe. Later in 1986, as she studied dress-making, she started to develop silk paintings and design silk dresses. Her artistic dresses were shown in different places in the world, including Germany, United Kingdom, Italy and United States. Together with six other textile artists, Mioni published a series of three books “Art To Wear” from 1990 to 2005.
Fig. 2.6.5(1a) to Fig. 2.6.5(3c) show the dresses by Mioni in the exhibition “Transformation: Material˙ Magic˙ Memory”. From Fig. 2.6.5(4) to Fig. 2.6.5(7c) are some other works of Mioni.
..."
complete thesis c.f. pdf